Mystery Solved! A Lost Print Resurfaces
Miraculosa Victoria à Deo Christianis Contra Turcas Tributa
Engraving by Giacomo
Franco, 1517-1610?
1973.07.01
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If you’ve ever watched the TV show Mysteries at the Museum, you know that museum collections
occasionally contain puzzles for the staff who maintain them. Artifacts donated
decades ago sometimes lack information about what they are or who owned them.
They can be mislabeled, misplaced, or mistaken for another artifact. As time
passes, the circumstances that led to the dilemma in the first place become
more difficult to pinpoint. We at the Naval War College Museum are happy to
report that we recently solved one of our own collection mysteries involving one
of our oldest artifacts, a four hundred year-old Venetian print of the Battle
of Lepanto.
Detail of Miraculosa Victoria à Deo Christianis Contra Turcas Tributa |
The
story begins in 1973 when the Naval War College Foundation purchased a copy of
Giacomo Franco’s Miraculosa Victoria à
Deo Christianis Contra Turcas Tributa for deposit at the Museum. The print,
published sometime between 1571 and 1610, depicts the victory of the Holy
League over the Ottoman Empire at Lepanto on 7 October 1571. This battle halted
the expansion of the Ottoman Empire into Europe and was the last major naval
engagement in the Mediterranean fought entirely between galleys.
Museum records indicate that the print went on temporary
exhibit shortly after its arrival. Once that exhibit ended, the print went back
into storage where it seems to have disappeared with no detailed or accurate
location ever recorded. No current staff member could recall seeing it in the
last two decades. Recognizing the historic value of a print this old, we
initiated a search of our collection storage area as well as the Naval War
College campus. Until recently, those efforts yielded no results. That changed
on Thursday, 18 February, when our Collections Manager, Walter Nicolds, found
the print buried in a flat file drawer while conducting an inventory of our
collection storage facility! Thanks to his sharp eye, this valuable piece of
art is now being tracked and stored in accordance with museum standards.
Walter Nicolds, Naval War College Museum Collections Manager
holding Giacomo Franco's print of the Battle of Lepanto
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In addition, further research revealed that the engraver was
misidentified when the print first arrived. It was originally attributed to
“Ferrando and Ferdinando Beretelli” of Venice. This seems to be a reference to
the Venetian printmaker Ferrando Bertelli (also known as Ferdinando) who
produced a well-known painting of the battle that hangs in the Vatican Museum.
It may be that our print was mistakenly identified as a reproduction of that
painting. When we matched our copy with others that reside at libraries in
Italy and Portugal, we confirmed that Giacomo Franco was the engraver. Now that
we have the correct artist and location in our computer system, we plan to be
extra diligent to ensure that our records remain up to date!
Ferrando Bertelli painting of the Battle of Lepanto |
Rob Doane
Naval War College Museum Curator
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